Last year, for instance, in the shadow of Endhiran, stood a fairly new face, quite unknown and with a sense of irony. These movies received critical acclaim and also saw commercial success. Thus began a trickle - that has now grown into a steady flow - of such movies: Paruthiveeran in 2007 and Subramaniapuram in 2008 gave way to the likes of Angaadi Theru (Market Street), Pasanga (Kids), Anjathey (Fear Not) Kalavaani (Thief) and Madrasapattinam (Madras Town). The resultant mix has not only struck a chord with directors and actors, but worked wonders at the box office and, hence, with producers as well. The language of these stories seems real, the cultural and social subtexts are more nuanced, they take the audience closer to the character, to the rawness of romance and violence, and to the richness of rituals and the landscape. They have every masala ingredient of a formulaic film, but what they also have is a solid storyline, a large dose of realism and actors who are almost unknown. This new genre of films, which began with Autograph in 2004, is not what can be classified as ‘art house’ productions. But the past decade also has a new trend that made a quiet entry, but is proving to be a head-turner. That the producers and audience love these formulaic films - Endhiran, Dasavatharam and Sivaji are the top three money-makers ever in the industry - is evident in their growing success over the decades and, most recently, in the past 10 years. It is where action sequences defy the laws of physics, scores of dancers gyrate to songs filmed on elaborate sets or in exotic locales, emotions and drama run high and loud, and every cliché is not just ample, but amplified. Tamil cinema celebrates the cult of the hero, where larger-than-life characters are essayed by even larger-than-life actors and where a 60-year-old balding man continues to play a young action hero who romances the youngest of heroines and takes on platoons of villains with nary a missed breath. Not only does it enthrall the audiences of neighbouring states and influence their filmmaking, it has crossed national borders and found a following among the Tamil diaspora, and foreign fans. The phenomenon of Tamil cinema is not restricted to the region. The time-tested 'quick-gun' formula of Tamil movies gives way to realistic story-telling, often with unknown faces.
The shoot of the same has been completed and now the fans are waiting for 25th October (the release date of the movie). The tamil film industry's new storyline
The movie will have Diljit Dosanjh, Sonam Bajwa, and Shinda Grewal alongside Shehnaaz Gill in the movie. It appears that she wanted to bring a little more beauty to the already beautiful weather of Mumbai.Meanwhile, on the work front, Shehnaaz Gill will be seen hitting the big screens this Dushera with ‘Honsla Rakh’. The actress shared these pictures with the hashtag #Mumbairains. Also, in one of the pictures, Shehnaaz can be seen holding a hot pink pillow, adding the right shade and amount of hues in the click. Further, the actress styled her hair in soft curls, which are adding more to her cuteness.
And now, again her latest pictures show her in a chic and cute avatar.In the latest clicks, Shehnaaz can be seen clad in a printed tube top, complemented with a fresh face of makeup and soft pink lips. Just recently Shehnaaz Gill was seen giving some amazing looks with her fashion-forward choices like an electric blue ensemble and the red power suit.